Sunday, March 22, 2015

Become an Agent 2015 Post #8

Title: Untitled (as of now)
Genre: Adult Lit Fic/Contemporary
Word Count: 73,000

Query:

After twenty-two years of abuse on the family farm, mixed-race David turns the whip on his abusive white father and escapes to Chicago, dreaming of being a 21st-century black Gatsby.


But Gatsby is fiction. Despite years of work as a janitor in the city slums and marrying the love of his life, David’s dream remains only a dream. Worse, his daughter is diagnosed with an organ-destroying disease. The cure is seven thousand dollars per month, more than twice what he and his wife, Mary, make. With no way to pay for the medicine, Mary falls into their insurance manager’s sexual blackmail, a man who promises coverage for this obscure medicine.

Though crucial, the manager's money is still not enough. Their only other option is to move to the south side, a poverty-stricken area almost entirely populated by blacks. To David - whose father raised him to cower in fear from his own skin color and scrape it out with stones - it's the incarnation of a childhood nightmare. Sleepless nights waste him away, haunted by Mary’s relationship and by this neighborhood. But David can’t see what’s right in front of him; these new neighbors might do the most to save Penelope's life, David's racist self-hate, and his marriage—if he lets them.

If this book was nonfiction, it would fit in Jonathan Cohn’s SICK, a collection of American health care horror stories.

First 250:

It’s odd to be told that your daughter is going to die, but maybe I should have expected it. We certainly didn’t expect Penelope to be healthy, she’d been vomiting in bed for the last few months, sick and pale and deteriorating. But on May 3, 2007, when Dr. Sheridan said, “Your daughter has had amyloidosis for a while,” my stomach flipped even though I didn’t know what the hell that disease was, only that it meant her death.

“It’s a disease that causes build-up of protein in the major organs.” Dr. Sheridan sat behind his desk. My black fingers pressed tightly around Mary’s white ones, knuckles so cold under the mahogany desk. “If caught quickly, it’s relatively easy to treat. But her amyloidosis went untreated. Even if I gave her medicine now, her organs will still shut down.”

“Dr. Manti was wrong then?” I said. Our old doctor. ("It might be hard to hear, but maybe the cause of your daughter's illness is, perhaps, negligent parenting?' with an eye on our interracial child).

“Dr. Manti must have misread the signs,” Dr. Sheridan said. “It’s hard to tell—”

“Shut down?” Mary said. “What are you saying, shut down?”

“I’m truly sorry. I’d recommend the ICU. Simply, we wait it out. See if she recovers on her own.” He cleared his throat. “I am sorry.”

“She will recover?” Mary said.

“No."

“No, no, she’s—she’s fine, Doctor.” Mary rose from the seat. “Give her a pill, anything.”

Query:

Clutching his mother’s copy of The Great Gatsby, David survives twenty-two years of abuse on the family farm only by dreaming of an escape to the big city. One hot summer day, David finally turns the whip on his father and escapes to Chicago to become a 21st-century black Gatsby.

Fast forward to ten years later, when David would punch Gatsby out if he ever saw him. Even after marrying the love of his life and mopping floors together at their janitor jobs, David has experienced no American Dream. Instead, he descends into a nightmare: his daughter is diagnosed with an organ-destroying disease. Knowing they have no way to pay for the medicine, their insurance manager forces Mary into sexual blackmail.

But they need more money, and the cheapest option is to move to the south side. To David—whose mother, by extolling Gatsby’s virtues, raised David to cower in fear from his own dark skin and scrape it out with stones—it's the incarnation of a childhood nightmare. Sleepless nights waste him away, haunted by Mary’s relationship, by this black neighborhood, and by the life he thought he’d have. But David can’t see what’s right in front of him; these new neighbors might do the most to save Penelope's life, David's racist self-hate, and their marriage—if he lets them.

In the vein of Barbara Kingsolver, if this book was nonfiction, it would fit in Jonathan Cohn’s SICK, a collection of American health care horror stories.

250:

It’s odd to be told, by doctors, that your daughter is going to die. There’s just no one else to run to after that. And when Dr. Sheridan began his sentence with, “I’m so sorry,” my stomach flipped even though the rest of the sentence—“your daughter has had amyloidosis for a while”—made no sense to me.

He sat behind his desk. My black fingers pressed tightly around Mary’s white ones, knuckles so cold under the mahogany desk. Dr. Sheridan pushed forward some pictures and diagrams of Penelope’s organs.

“It’s a disease that causes build-up of protein in the major organs. If caught quickly, it’s relatively easy to treat. But her amyloidosis went untreated. Even if I gave her medicine now, Penelope’s organs will still shut down.”

“Dr. Manti told us she was fine,” I said, running my fingers over the pictures of small lumps in my child’s tissue. Penelope’d been vomiting in bed for the last few months, sick and pale and deteriorating. We wanted to find the reason, we switched jobs to get Dr. Sheridan. We expected there to be something wrong.

“Dr. Manti must have misread the signs,” Dr. Sheridan said. “It’s hard to tell—”

“Wait, wait, Doctor,” Mary said, rubbing her forehead. “Shut down? What do you mean, shut down?”

Dr. Sheridan glanced at me and I inhaled. My arms clenched.

“I’m truly sorry.” He cleared his throat. “I am sorry.”

“Doctor,” Mary said. “Doctor, come on, we came here. We came here. That—that can’t be it. You haven’t even given her any medicine.”

25 comments:

  1. This was a difficult call for me! Unfortunately, I have to say No. I like the format of your QL, and how you give a "comp" at the end. However, the 2nd QL seems a little bit wordy with specifics. For example, an agent might not need to know exactly how much the medicine will cost, only that the MC cannot afford it, and the only way to pay for it will be his wife and the sexual blackmail.

    #15

    I do think that the 250 is well done, though! I would tighten up the QL screws a bit. Good job!

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  2. Yes.

    I'm all over the deeply emotional stuff. This has tons of dirty, gritty things going on in it, with lots of family conflict rife with sub-plots and potential for secrets. The first 250 made me want to hide my eyes because the emotions behind it were painful. (That's good, by the way.)

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  3. A reluctant no.
    I wanted so much to say yes, but here's why I didn't:
    1) the query starts in the wrong place - I get the feeling you did that to be able to mention race. The thing is, I don't think you need to hit us over the head with it. There are places where race comes up naturally -- David cowering from his own skin color (powerful). Obviously race figures prominently in the story, but I think there's such thing as too much.
    This line was excellent: "David's racist self-hate" - tells a lot, helps draw out the details.
    I also believe you can cut some of the specifics (cost of medicine, etc.) to streamline the query.
    First 250: real potential here. Again though I'd be wary of too much color description right off the bat. We can't discover anything if you tell is all right away -- even in a story that's about accepting your own race,

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  4. Query: The struggles of David come through vividly in your query. Good job showing his character journey from a place of abuse to a place, that because of his abusive past, he fears. Promise of change at the end is great. Not sure we need to know the specifics of the insurance manager, just the sexual blackmail part. Final sentence has good stakes, but may need to be revised (little cumbersome). As far as the nonfiction comp, might need a fiction one along with it to help show where your novel fits into the market. Small thing: (First sentence) Abuse and abusive too close together, rephrase? First 250: Excellent how you set up the major problem at the beginning. Love the opening paragraph and voice there. The flashback is an important scene to the story, but I’m not sure about it coming in so soon before we get to know David. I only saw a glimpse of him before it skipped to that scene. David and Mary came across as a little flat in their convo with doctor, maybe the reaction to the news or the emotion there is missing. Not a hundred percent sure.
    I’m drawn to the richness and potential emotion of the story, but saying No (#10)

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  5. No.

    I will disclose that I am the adoptive mom of a minority child. Race is an issue we discuss and think about often as a bi-racial family.

    So the query hits a little too hard with race in the beginning. Race is what his father uses against the son, but it is not the cause of the abuse. His father would be abusive regardless of race if he is that abusive (words like whip and cower with fear). The father must have been someone open to other races to have had this son to begin with. Where is his mother?

    The story is how does the son come to embrace his own race when he was taught for so long that his racial identity was something bad. That he is denying an entire part of who he is, and he needs to learn to find a connection to that. I do love the concept!

    But I'm not sure its there yet for me. Its more than just a story of race, it is a story of abuse more generally too. The two cannot be untangled here. Which is why the race element I think seems a little harsh. The father is just a terrible man.

    On the first 250, I am not as moved as I should be for a scene with a dying child. I want to know them more, even know her more, to feel this loss.

    BTW - just curious if the disease is something more common is mixed race children? If so, that makes it even more interesting to me.

    I am #12

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    Replies
    1. Hey #12. Just want to let you know, I'm a adoptive mom too.

      Delete
  6. Unfortunately, this is a no for me.

    In the query letter I think there is a disconnect between the first and second paragraphs. I feel like you want to establish the MC's abusive background, but with the second paragraph jumping ahead a few years (I think) it doesn't flow very well for me. As well, I think that there are a few too many specifics that are unnecessary. Mentioning the exact cost of the treatment for example. While I understand that race/racism plays a very important role in your story, between the query and 250 it's mentioned almost ten times so at times it feels almost forced. Pick the places where it's going to make the most impact and it will have a more powerful effect.

    For the 250, consider cutting out 2007. Unless the year, specifically, has huge importance to the story, then it really only serves to date the MS. I think this is a strong opening, but without getting to know the characters a little more, the emotion falls a little flat.

    I think there's a lot of potential here and with a little refining this could really shine.

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  7. This is a No for me for a few reasons.
    I was immediately drawn to the Gatsby reference in the query letter. But it seems to have been a false start. I teach The Great Gatsby at least once a year, so it has a special place in my heart. But it's all about dreams, more than glitz--perhaps as the most recent movies have suggested. With a literary reference, I was hoping your book would be similar in scope to Fitzgerald's work, but it's not. I would drop the reference.
    From your QL it also sounds like your ms will be a kind of touching, feel-good work. I might be wrong, but it sounds like "Guy who doesn't appreciate his roots comes to appreciate his roots"--along with perhaps presenting the black community as all loving and the white community centered on the "wrong" values. Again, I could be entirely wrong about that. But if I'm right, it's a little to "easy" and sentimental for my personal tastes.
    Within your 250, I didn't know how the MC jumped to knowing his daughter was going to die when he didn't know what the disease was in the first paragraph.
    In the third paragraph I was confused--is there hope for the daughter or not? Is this a definite death sentence or no?
    With all that said, I love the line about "if this book was non-fiction. . ." That was a really interesting way to give a comp.
    I wish you the best of luck!
    I'm #14.

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  8. This is a reluctant no for me. I think it's very timely to write about race, biracial families, how someone's feelings about their own race can change in different circumstances, and how the poor healthcare options in this country can really affect poor families, so I think the concept is strong.

    Honestly, I wanted to love it and I am intrigued by evocative images like David wanting to be a black Gatsby. But something about a poor, horribly abused farm boy learning about Gatsby doesn't ring true without more knowledge of David's character. What else defines David besides poverty, abuse, race? Does he use books as an escape? Does he dream of a job as a writer or businessman or ???? How does he end up as a janitor? Does he have a plan for achieving Gatsby status? How does a wife and a sick child change all of that?

    His situation is full of tension (sick child, self-hatred due to abusive background, etc.), but I want to know more about him to really draw me into his story, if that makes sense. And I feel like the hint that something about his new community can help heal his daughter is far-fetched or at least too vague.

    Best of luck!

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  9. I'm sorry. This is a no.

    A story about a 21st century black Gatsby sound great. But why does he want to be Gatsby? Why not Ironman or a mafia boss or a congressman. I need to know a little more about what drives him right off.
    I also want to know more about why his neighbors will save his daughter, his self-hate and his marriage. Can you give us a quick portrait of one of the neighbors or describe an action to "show" us this?

    On your first 250: How did your mc know that this disease meant death if he didn't recognize the name of the illness? Was it the look on the doctor's face? I also wonder if this is the best place to start your story. It's emotional and tenxe, but if we saw him as a hard-working and caring father first, it would have even more impact.

    I hope that helps! Best of luck with your revisions and queries!
    Rebecca
    (#11)

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  10. This is a No for me. The query teases Gatsby, but it seems it's not really Gatsby, just getting enough money to save his daughter's life. Once I got past that, I was like, okay, this still sounds interesting, but then toward the end of the query I got a bit lost. What is the conflict here? Is it finding a way to get the money?/Learning to live with his wife's trade? Learning to live in the neighborhood he was taught to hate? I think all of those are fine by themselves, but I don't know how they relate to each other, and I think the query needs to be more specific in that regard.

    To me, I'm wondering if the 250 starts in the right place. It's all a flashback, right? And it's an extended flashback with full dialogue. I'd rather start in the present, get to know the MC more first.

    Overall, there were a lot of pieces I liked here. I just need them to be connected more. Good luck!

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  11. This is a yes from me. Mainly because often the success in a query lies in whether it can hook the reader, not whether it fits the rules of the game. This one definitely does for me. There's something in the writing which gets the character. The voice is awesome. #9

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  12. This one is a yes from me. From the query, I didn't get the feeling that it was going to be a book about him being a black Gatsby. I got the feeling that was a dream of his (which tells a lot about his character). But I also drew from the query that the story would be about his life being anything but the Gatsby dream. I do think you need to define why Gatsby is his dream so you can showcase just how far short of that life of glitz he has fallen.

    The premise is intriguing on so many levels.

    Your 250 - you write well and there is a lot here to pull the reader in. I do have to say that I think that there may be some things here that need to be in the line-up a bit differently. Maybe don't go straight to the part about the parents feeling they are being judged by the old doctor. That might get a little preachy from the get go and cause some people to stop right there. I do think you should address that type of subtle (or not so subtle) racism, but maybe not during this conversation.

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  13. This is also a No from me.
    My reason is simply this: the medicine in the first 250 felt inauthentic. I have an older brother with a birth defect and have spent my entire life surrounded

    with medical things, doctors, waiting rooms, ICUs, Recovery rooms, even extensive home care. The conversation just didn't feel right. I would suggest reaching out to medical professionals you know, Doctors, Nurses, and asking them to give you examples of how they would phase things, or explain them. Giving bad news in a delicate art, especially in Pediatrics and its not easy to create the appropriate feeling.

    Tobias Eaton (4)

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  14. Yes.

    It’s nice to read something gritty and different and that makes this book stand out automatically to an agent.

    Like some of the other commenters, I do find the Great Gatsby reference at the beginning confusing. I think this is primarily due to the time jump between the first paragraph of the query, when David is 22, to the rest of the query and the 250, which are about an older David. I’d start the query with David’s daughter’s illness being diagnosed and end the query revealing how the struggles of his past make it difficult for David to accept what he needs in the present.

    I like the shattering diagnosis as the beginning to the book, it sets the conflict out in the open right away. I’m less happy about the execution of it. While I am a fan of Elmore Leonard’s “just say ‘said’ ” idea, I found the dialogue a little too plain. I wanted more detail and description of what David’s wife was doing as she tried, and seemingly failed, to comprehend the diagnosis. If they’re happily married David should be somewhat attuned to her non-verbal communication, what her body does when she’s frightened. What does her face look like in that moment of horror? What does David do with his body? What details does he focus on as his mind tries avoid the worst?

    Is Barbara Kingsolver also a comp for this book? She’s a good example of great storyteller and social justice warrior.

    Good luck!

    #2

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  15. #5 here - no, I don't think I'd request pages. The last line where your touch on character arc is fabulous - you do a great job circling back to David's upbringing and tying it together. I think that's the one thing that's missing from a lot of queries I read - the character's internal struggle - but you absolutely nail it.

    All the pieces you need are in this query, I think it just needs to be restructured and rephrased a bit.

    I thought the Gatsby line was clever at first. But when I don't see any other similarities than just dreams of being a self-made man, I kind of feel like it's thrown in just to be an attention grabber, which you don't need. Your novel has tremendously compelling plotlines and themes. You don't need gimmicks. Also, I'd like for you to move the part about how David's father wants him to scrape the color of his skin out with stones up to the top. That's the paragraph where you are grounding us in your character, so that seems like where it logically belongs. Then, when you get to the part where David has to move back to the South Side, you don't have to explain why this bothers David. Since we already know you can use that paragraph to build the drama of it.

    You imply David is disappointed in how his life turned out, but you might try stating it more overtly. We just had a paragraph meeting our hero, whom we have compassion for because of his background. Now we find out he's flawed. He's had an honest job and married the love of his life, and raised a daughter! But he still wants material success. Draw this contrast more boldly.

    And as we move into the inciting incident, what's David's state of mind just before his daughter is diagnosed? Is he resigned or still making plans to achieve upward mobility? I just like the idea of being able to relate to David as he gets this news about his daughter, because either way, obviously his plans are blown.

    As you end the paragraph about his daughter's diagnosis and the hardships they face, you don't need to tell us the exact cost or that it's twice what they make. Find more dramatic words to express their situation. I also think the part where you introduce the blackmail would benefit a lot from just switching around the order. Tell us what the insurance manager promises, and then tell us that Mary goes along with it. I think it would feel more active.

    As you move into the last paragraph, I'd strike "the only other option." It's not, really, the *only* other option. He could rob banks. Sell drugs. Lots of things. But he's fundamentally good. So he finds a cheaper place to live. Only... this stirs up all sorts of (long dormant?) emotions for David that he finally has to come to terms with. And so on. Like I said above, I think the query ends very strong.

    You have such a great story here! I'm really excited for this query to showcase what a terrific novel this is.

    I enjoyed reading your 250, but I also agree with the crits that have already been made. Not sure I have much to add.

    Good luck to you on this novel! I'm very excited about a premise that weaves together health care problems and race relations. Ambitious!




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  16. Revision critique from entry #16

    Hello! I realized I actually missed this one, first time around! And if it's any encouragement, I would have said no the first time, but I think this time I'd say yes, even though this is definitely not a genre I am familiar with! The query has more voice, voice that carries over into the 250. And even though the 250 starts off softly, I think it fits the mood, as someone who has been around people in similar situations. It's almost.. I don't know, respectful. I like that. I want to know what happens next.

    Great revisions!

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  17. Revision critique by #17
    I'd still say yes. But an even stronger one now because your query is SO much better. One thing in the 250 that wasn't clear to me though was the comment about changing jobs to get Dr. Sheridan. It just doesn't read right to me. A bit confusing. Why would they have to switch jobs to get Dr. Sheridan?

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  18. Hi,
    I said yes first time around, and would do the same again. Your query is much better. The 250 lost a little on the revision, IMO. The first paragraph had more voice in the earlier version. There are a couple of extra commas I think on the first sentence in the new version and the first paragraph seems more like an explanation. Also this part -We wanted to find the reason, we switched jobs to get Dr. Sheridan. We expected there to be something wrong. - could be - We wanted to find the reason, even switched jobs and insurance carriers to get Dr. Sheridan. He was the best and we hoped he'd tell us what was wrong.
    #9 here.

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  19. Hello from #15!
    The first sentence of your QL, the way it reads to me, means he was clutching the copy of the Great Gatsby for 22 years. Is that what you meant? If that is not what you meant, maybe just rewording that would help: "Reflecting upon the words of The Great Gatsby" or something like that.

    The 250 is still very powerful to me. Well done, there.

    Overall, I would say this is still a "no". Keep working that QL. That is the key, in my opinion. Good luck to you!

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  20. This is a big improvement in your query! Great job!
    “Clutching his mother’s copy of TGG” – I love this image, but that makes me want to picture him actually clutching it for the 22 years mentioned in the sentence, which doesn’t really work. Something similar like, “Rereading his mother’s copy of TGG until the binding gives out, David…” might work better.
    Paragraph two: I’d change the first clause to “Fast forward ten years…” It says the same thing, just tighter. I love that image by the way, of him punching Gatsby!
    In the third paragraph, the first sentence is awkward. I’m having a hard time figuring out how to say why. I think something more like - “But they need more money and could save on rent by moving to the south side.” Might work better.
    I love your first 250. I know I suggested changing where you start but this is great. I think it’s much stronger now.
    In your third paragraph, I think the verb tense is off. I think you need “If I gave…, organs would still shut down”
    Super nitpicky, so feel free to just toss this. But I wanted a little something more at the end of paragraph 4. Like a “But we didn’t expect this.”
    In Mary’s dialogue, you don’t need both a dialogue tag and an action tag. You can use just the action tag. If you do this throughout an MS, it tightens things up quite a bit. “Wait, wait, Doctor,” Mary rubbed her forehead. “Shut down…”
    I’ll give this a yes vote now! Best of luck querying!

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  21. This is a big improvement in your query! Great job!
    “Clutching his mother’s copy of TGG” – I love this image, but that makes me want to picture him actually clutching it for the 22 years mentioned in the sentence, which doesn’t really work. Something similar like, “Rereading his mother’s copy of TGG until the binding gives out, David…” might work better.
    Paragraph two: I’d change the first clause to “Fast forward ten years…” It says the same thing, just tighter. I love that image by the way, of him punching Gatsby!
    In the third paragraph, the first sentence is awkward. I’m having a hard time figuring out how to say why. I think something more like - “But they need more money and could save on rent by moving to the south side.” Might work better.
    I love your first 250. I know I suggested changing where you start but this is great. I think it’s much stronger now.
    In your third paragraph, I think the verb tense is off. I think you need “If I gave…, organs would still shut down”
    Super nitpicky, so feel free to just toss this. But I wanted a little something more at the end of paragraph 4. Like a “But we didn’t expect this.”
    In Mary’s dialogue, you don’t need both a dialogue tag and an action tag. You can use just the action tag. If you do this throughout an MS, it tightens things up quite a bit. “Wait, wait, Doctor,” Mary rubbed her forehead. “Shut down…”
    I’ll give this a yes vote now! Best of luck querying!

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  22. Hi, this is #6. I like the query but I think there might be too much backstory at the moment. I feel like we don't actually get to the events that are central to the story until the second line of the second paragraph. I'd almost cut the Gatsby references since they confused me more than clarified story points, though I can see how there are interesting parallels to be made between David and Gatsby.

    Also it might be good in your query to state that Penelope suffers from amyloidosis, because the instant I read that in the sample my heart just broke for her, more so than the phrase 'organ destroying disease'

    There are some really interesting internal stakes for the character, and it might help to play them up in the query. This project sounds really interesting, so for me it would be a yes. Best of luck with it!

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  23. Sorry to be so late with my critique. In the query, I agree that the 'Clutching his mother's copy of The Great Gatsby' in combination with the 22-year time span is confusing. I'm not sure the first Gatsby reference is needed since, later in the paragraph it says when he leaves, he aspires to be a 21st century black Gatsby. I had a couple other picky points. I suggest trimming out 'descend into a nightmare' and keep the focus on the problem, i.e., 'When his daughter is diagnosed with an organ-destroying diseases, they have no way to pay for the medicine. Their insurance agent....' I also suggest rephrasing the 2nd sentence in the 3rd paragraph to avoid two uses of 'David'. The 'scrape it out with stones' description stopped me. Though I reread it, I still found it confusing.

    The first 250 grabbed me from the start. My only pause there was at the line about switching jobs -- since it wasn't clear how that enabled them to get Dr. Sheridan. But I was caught up and wanted to read on.

    I vote 'yes' but think the query needs one more pass.

    #1

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