Title: A FALCONER OF VENICE
Genre: YA Historical Fantasy
Word Count: 65,000
Query:
When seventeen-year-old Amalia Cornaro saves Venice from balefire, no one is happy.
Eccentric heiress Amalia was only trying to buy a rare magical science text. She had no intention of linking to Zaira, a brash pickpocket with fire magic more dangerous than flintlocks or cannons; but someone had to put a seal on her out-of-control power. Now Amalia is Zaira’s Falconer, the only one capable of binding or releasing her magic — a military role forbidden to aristocrats like Amalia by the laws of the Venetian Empire. And Zaira, furious at her loss of freedom, is determined to make sure their unwilling partnership is not an easy one.
Then a political conflict between Venice and tributary Florence threatens to escalate to war, and Zaira’s fire magic becomes Venice’s strongest argument to dissuade revolt. But Amalia has friends and family in Florence, including an unconfessed love among the rebels. She must navigate a course as narrow and twisting as the canals of Venice itself, with treason on one side and betrayal of her Florentine friends on the other.
When Amalia discovers a treacherous plot at the root of the conflict, she and Zaira must overcome their mutual mistrust and class differences to work together to unravel the scheme before it triggers a war. If they fail, Amalia’s orders are clear: to unleash Zaira’s power against Florence, consigning the city and those she loves there to fiery destruction.
A FALCONER OF VENICE is a YA historical fantasy set in an alternate Venice at the turn of the 18th century, complete at 65,000 words.
250:
“Here, my Lady? Are you sure?”
As the prow of my gondola nudged the stone steps leading up from the water’s edge, I realized I should have walked — or at least hired a gondola that didn’t belong to my mother. The gondolier was bound to report back to La Contessa that her daughter had disembarked at a grimy little quay in a particularly dubious corner of Cannaregio sestiere, the least aristocratic district of Venice.
But by the time my mother heard anything, I’d already have the book.
“Yes, thank you. Right here.”
The gondolier made no comment as he steadied his craft, but his eyebrows conveyed deep skepticism.
He knew me well enough not to offer a hand as I clambered out. I’d worn a country gentleman’s coat and breeches, to avoid standing out in working class Cannaregio. I was glad not to have to keep skirts from trailing in the murky water. Trash bobbed in the canal, and the tang in the air was not exclusively salt.
“Shall I wait for you here, my Lady?”
“No, that’s all right.” The less my mother knew about my errand, the better.
She had not precisely forbidden me to visit the pawnbroker who reportedly had a copy of Muscati’s A Study of Tidal Enchantment and Artifice ,but she’d made her opinion of such excursions clear. I personally felt having survived assassination and kidnapping attempts in the past proved me qualified to perform a simple unescorted errand in broad daylight. La Contessa held the exact opposite belief.
Title: A FALCONER OF VENICE
Genre: YA Historical Fantasy
Word Count: 65,000 words
Query:
Seventeen-year-old heiress Amalia Cornaro never wanted to become a Falconer — a mage handler for the Venetian Empire — but someone had to seal Zaira’s out-of-control fire magic. Now Amalia, who relates better to magical devices than to people, is the only one who can release Zaira’s power; and Zaira, a brash pickpocket, isn’t allowed to leave the fortresslike Mews without Amalia at her side. Furious at her loss of freedom, Zaira is determined to make their unwilling partnership a difficult one.
Then a devious plot incites conflict between Venice and Florence, and the threat of Zaira’s fire magic becomes Venice’s strongest negotiating tool. With friends and family in both cities asking for her help, Amalia must navigate a course as narrow and twisting as the canals of Venice itself to avoid betraying her city or the people she loves. But when the plotters turn to kidnapping and murder to protect their plans, Amalia’s life may be in even more danger than her honor.
Zaira’s courage and street-smarts combined with Amalia’s wits and political clout may be enough to unravel the treacherous scheme before it incites war... if they can learn to work together. If they fail, Amalia’s orders from the ruling council of Venice are clear: to unleash Zaira’s power against Florence, consigning the city — and her friends there — to fiery destruction.
A FALCONER OF VENICE is a YA historical fantasy set in an alternate Venice at the end of the 17th century, complete at 65,000 words.
First 250:
“Here, my Lady? Are you sure?”
As the prow of my gondola nudged the stone steps at the water’s edge, I realized I should have walked — or at least hired a gondola other than my own. The gondolier was bound to report back to La Contessa that her daughter had disembarked at a grimy little quay in a particularly dubious corner of Cannaregio sestiere, the least aristocratic district of Venice.
But by the time my mother heard anything, I’d already have the book.
“Yes, thank you. Right here.”
The gondolier made no comment as he steadied his craft, but his eyebrows conveyed deep skepticism.
I’d worn a country gentleman’s coat and breeches to avoid standing out in working class Cannaregio. I was glad not to have to keep skirts from trailing in the murky water as I clambered out. Trash bobbed in the canal, and the tang in the air was not exclusively salt.
“Shall I wait for you here, my Lady?”
“No, that’s all right.” The less my mother knew about my errand, the better.
She had not precisely forbidden me to visit the pawnbroker who claimed to have a copy of Muscati’s A Study of Tidal Enchantment and Artifice, but she’d made her opinion of such excursions clear. And no one casually disobeyed La Contessa Lissandra Cornaro. Her word resonated powerfully in every walled garden and forgotten piazza in Venice.
Still, there was nothing casual about a Muscati. This book might give me exactly what I needed for my design.
#10 No. This query is too much. There's too much going on, too much assumed information we don't have, and information about the world and story that I don't feel is relevant. Also, she saved Venice and they're all ungrateful. This makes me worry about the setting as a whole. This doesn't come across as a world I would like to return to.
ReplyDeleteI have no idea what is really going on in this query. In the hook, you say balefire but I have no idea what that is. Then the girl is looking for a book, she's "linked" to a pickpocket and becomes his falconer? I have no idea what this link is and what you mean by falconer. I thought that was someone who trains falcons. As for the 250, I find it hard to believe this girl would use her mother's gondola, but only realize that could be a mistake AFTER she's done it and is about to get out of it. That immediately makes me think this is not a girl I want to read more about. Plus, I think it would have been a given that the guy would report back that she was wearing men's clothes in that day and age. so I have a hard time relating to or caring about a mc with no common sense. I need to like her or feel for her more.
ReplyDeleteNo (#11)
Unfortunately, I didn't understand the plot, though the title is cool. I think you can do without the first line. I didn't understand it.
ReplyDeleteThis line also messes with the flow and probably could stand to be deleted: "a military role forbidden to aristocrats like Amalia by the laws of the Venetian Empire. "
I get the sense you're mentioning subplots in here too. Maybe focus it on the main MC relationship and the main plot point.
The writing itself is good. Watch out for this typo with the comma though:
She had not precisely forbidden me to visit the pawnbroker who reportedly had a copy of Muscati’s A Study of Tidal Enchantment and Artifice ,but she’d made her opinion of such excursions clear.
No #13
I, too, was lost reading the query. I think you should focus only on the main plot, leaving out subplots and clarifying the language some. I started getting more interested in the 2nd full paragraph of the query ("Then a political conflict...") probably because I could understand what you were saying. Overall I do think this is a very cool premise, and I love the setting/history part!
ReplyDeleteI liked your first 250, especially the voice of the MC, how she snuck out in men's clothes against her mother's will....awesome!
So, this is a No for me, but just work on clarifying the query and I think you'll be in a great spot! (#18)
I liked the premise of this, and I enjoyed the query, but there was something about the voice int he first 250 that didn't work for me. I think this is what an agent would call "just didn't connect." I know that doesn't help you revise, because it doesn't give you anything solid.
ReplyDeleteFor me, it felt distant. I don't know if that's something you're interested in revising to get rid of, because some people like distant voices, and some like to ride along inside the MC's thoughts. It's an issue of personal preference.
It's a No from me (sorry) (#20). Good luck.
Argh! So, when I started reading the query, I was thinking yes, yes, yes! And then you lost me somewhere around "a military role forbidden to aristocrats like Amalia by the laws of the Venetian Empire." All of a sudden, I'm confused about what's going on.
ReplyDeleteIn the first 250, nearly all of the sentences that aren't dialogue are long or complex. Varying the length more would help make it more readable. And the voice doesn't say YA to me. I know it's set in the past, and it was a more formal time, but the MC just feels older to me.
So, I'm afraid I'd have to say no.
Yes please. Give me more.
ReplyDeleteOh, right I have to word stuff. Query = concise, clear, gives me everything I want - only quibble is that it's not clear how buying a book relates to the pickpocket, and the query manages to make the pickpocket sort of sound more interesting than the actual MC. This reads like Historical Urban Fantasy which I have a weakness for. I like the first 250 words, as they have a slightly more mature voice to me than for normal YA - which for this works because it's historical, and the voice reads like a young woman of the time - they were a bit more mature, they had to be. Childhood didn't last very long back then. Only issue I found was that I'd want more polishing, and there is a typo in the first 250 words - just that misplaced comma. This whole thing excites me, and makes me hope it's as good as it hints at being.
Yes. (#5)
I loved the premise, but there was too much going on. We don't need to know everything. Try to find what the main plot of the story is.
ReplyDeleteThe first 250 I liked until near the end when she talked about her mom.
Sadly no (#4) a little more work and it would be great
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ReplyDeleteSuper intrigued by this premise! I do think the query could use a bit of simplifying—at first glance it confused me, and I had to read it a couple times to understand exactly what was happening.
ReplyDeleteThat said, I am IN LOVE the first 250. I would totally devour this book if it was in my hands right now.
YES (non-contestant)
I'm going to have to say no, reluctantly. I thought the hook was intriguing, but found the rest of the query a little confusing. It really could use some simplifying, maybe remove the political conflict subplot, if it doesn't take too much away from the story. I did find myself drawn into the 250, except for the last paragraph. The assassination attempts are an interesting detail, and really deserve more attention.
ReplyDelete#2
Yes. I love the idea of a Falconer when it pertains to magic. This is one of the few queries I've seen that perfectly sets the stakes and continues stacking them. I enjoyed the snarky attitude of the MC, though I felt the next to last sentence to feel a bit of a throw away line rather than being something that piqued my interest. I'd move the "Trash bobbed" sentence up higher to give a better feel of the grime of the area earlier, but that's personal preference.
ReplyDeleteYes. (#19)
Yes! I am intrigued by the hook, the setting, and the unique, rich details. I was also sold on the voice.
ReplyDeleteHi, it's a no from this audience member. I love the idea, but I got a little lost in the query with so many unfamiliar terms and so much going on. The 250 was good. My only nitpick is if she's trying to be discreet, I would think she'd be smart enough NOT to use her mom's gondola and also, wouldn't she tell the gondolier not to address her as "My Lady"?
ReplyDeleteI'm voting YES
ReplyDeleteI had to come back to this one because I wasn't sure if I would have enough YESs and historical fantasy isn't my first love in books. But this one hooked me. I'd request a full because I think that a historical fantasy needs the whole package to truly know if it's worth my time. Meantime, I would brush up on the time period so I know what the expectations are.
YES (from the audience)
This is the first one that I absolutely loved. The query has a lot of new information about the world and the characters, but you delivered it in a way that was clear and easy to understand. You show the stakes and conflict, and I feel for you MC and the choices she has to make.
ReplyDeleteMy only suggestion for the 250 would be to ground the reader in the setting before going on to the dialogue. A sentence to show who is in the scene and where they are would make everything that comes after more clear. The first line is precious real estate, and it seems a shame to waste it on unattributed dialogue from a character who may not even return to the story.
But apart from that, I loved the first 250. I get a real sense of the MC--her voice is clear, I know something about her character, and she has a goal to move the story forward. I would definitely keep reading.
Yes! (from the audience)
Sorry-- the opening line of the query caught me up, but then lost me. I loved the new word 'balefire', but needed an explanation. Then characters and titles came too fast and furious for my taste and I started to lose interest. I think we need an explanation of 'linked' --otherwise it's frustrating. As for the first 250, I enjoyed the language, but felt some of the narrator's explanations didn't make sense. If she doesn't want her mother to know about her errand, why use the Contessa's gondola? I couldn't get my head around the idea her mother's gondolier wouldn't report back that he'd ferried the Contessa's daughter to this seedy neighborhood while she was dressed like a boy.
ReplyDeleteNo (#9)
Okay so, I had no idea what balefire is--I would somehow work in an explanation with that or cut the entire first line completely as you don't really need it--but the rest of the query sang for me. I was able to follow it easily, and the tension between your characters was on display. Loved it. As well as the first 250. The voice, the delicate balance of description to maintain the pace, and tight prose, all nicely done.
ReplyDeleteYes.
Revision crit:
ReplyDeleteYES!
This is great. I love how you've shown us the world through your query. Your first 250 are nice and tight. Well done. Good luck with Pitchwars!
It has improved :). I now can understand the stakes in the query. I see you didn't change much in the 250 but that's okay because I still love it. Yes #4
ReplyDeleteRevision: Yes! You really shaped up the query. It flows much better and I am no longer so confused. The relationships and stakes are much clearer. Well done!
ReplyDeleteOh, I'm #18
ReplyDeleteI liked the revisions to the query, though admit I still had a moment's hesitation at the first reference to Zaira -- I wasn't sure if Zaira was a person, place or thing. This soon becomes clear, but you might want to consider reordering some of the information in that paragraph? I think the stakes and Amalia's relationship to Zaira have been made clear and are intriguing. I did have one small question from the query as to how Amalia's honor is a risk. A 'yes' from me. (#9)
ReplyDelete